Angela writes erotic poetry for an elite group of elderly, wealthy impotent men. These men meet once a month to listen to Angela read aloud from her oeuvre. Discussion, wine, and cheese always follow.
Angela is never invited to the discussion afterward. Instead, she is asked to pose, naked, in a huge glass cabinet with only a velvet divan and a miniature poodle enclosed. She steps into the cabinet, sighs, and disrobes as the butler closes the soundproof glass door behind her. Then Angela gets busy acting like the Goddess of Leisure while the men outside the cabinet engage in talk of the highest brow. Angela sometimes tries to read their lips, but more often she doesn’t bother. The only rule is that she is not aloud to fall asleep. Angela sits on the end of the divan, picks up the poodle, and strokes behind the little dog’s ears until it laughs.
This job comes with its perks. In this glass cabinet, Angela can enjoy her afternoon downtime, the time when she can think of what she will make for diner for her husband and two children. How will she help Miles take an interest in his math homework? How will she entice Bruce Jr. to spend less time playing video games? A woman who writes erotic poetry has lots on her mind. But it is not as though she lets on like that when she’s playing the role of the Goddess of Leisure inside this cabinet.
Angela stretches and rolls over upon the red velvet in her voluptuous feline way. The men stop and stare when she shifts her body now and then. If her mother were still alive, Angela could boast of these silent afternoons as proof that all the acting lessons were not a waste.
At 2:45 pm, the butler opens the glass door, and Angela is free to leave. This gives her enough time to dress and meet her sons in front of P.S. 36 by three o’clock sharp.
The friends of Angela’s who know that she does this kind of work for extra money like to tell her, “Angela, your life has way too much weird kink in it.”
Angela shrugs and pouts (a gesture the elderly men would applaud). Then she says, “Be honest. Whose doesn’t?”
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